By LARRY McCABE
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Extra resources for 101 Bad to the Bone
C7 to B7 is up 11 frets or down 1 fret. 1asy Transposing Chart: Count the distance from one tone to another. CDbIEbEFGbGAbABbBCDbDEhEFGbGAbABbBC Db 44 C# Eb D# Gb = F# Ab = G# Rb = About the Author Larry McCabe was born in Kansas City, Missouri. He studied music with a number of teachers including Eldon Shamblin, legendary swing guitarist and arranger for Bob Wills. Deciding on a freelance music teaching career, Larry received his degree in education from the University of Arizona in 1979. Since graduating from college, Larry has taught over 30,000 private music lessons as well as classes on the history of American popular music and jazz.
13 Variation #2 in the key of C minor Cm7 Fm7 Cm7 Cm7 Fm7 Fm7 Cm7 I L Lx. 14 12-bar minor-key variation #3 im7 ivm7 im7 This progression has a im7-ivm7-im7-V7 turnaround in measures 11-12 ivm7 im7 Fm7 Cm7 Cm7 im7 im7 V ivm7 im7 ivm7 im7 V7 Optional chords for measure 10: V7sus / V7b9 / Ex. 15 Variation #3 in the key of C minor Cm7 ivm7 Fm7 Fm7 Cm7 Cm7 im7 im7 G7 Fm7 Cm7 Fm7 Cm7 G7 Ex. 16 12-bar minor-key variation #4 im7 ivm7 im7 im7 ivm7 ivm7 VIMaj im7 im7 Cm7 Cm7 I Ex. B. King’s The Thrill is Gone’ in B minor Cm7 Fm7 I - Fm7 Cm7 Cm7 ifiif 37 A1’maj Gt’ -I Appendix 4 8-Bar Blues Progressions in Major Keys A third type of blues progression, the eight-bar blues, is almost always played in a major key.
Apply this pattern to the above chart as follows: a To transpose from Cm7 to Fm7, choose either of the following options: Up 5 frets or down 7 frets. b Transpose from Cm7 to Gm7 by moving up 7 frets or down 5 frets. 2. After you complete this basic project, experiment with several other four-beat minor patterns. Use only one pattern per chorus for now a chorus is the entire length of a given chord progression; the blues progression on this page could be called a 12-bar progression or a 12-bar chorus.